Tag Archives: process

Baaaaaaaaaaaaaaaaah

 

Baaaaaaaa

Baaaaaaaah

It’s been a bit since I’ve written, so I thought I’d post a short hello and studio goings on, lest you think I’ve fallen into a bucket full of clay. Last weekend I was able to attend the Wisconsin Sheep and Wool Festival in Jefferson, WI. It’s the closest festival to home and I love seeing all the familiar faces and fiber friends. The harbinger of the fall season complete with flocks of migrating geese and crisp sweatery mornings. It’s also the primer to the largest show of the year, New York Sheep and Wool, aka Rhinebeck. As I’ve said in the past, ceramics is a process, and it takes some time to get the studio all primed and running. Those who attend Rhinebeck can send a thank – you to Wi for getting the ball rolling. Now we’re chugging along, getting ready to shift into high overdrive in the few short weeks to Rhinebeck. (I’m currently pretending my calendar doesn’t exist, a childish but effective survival tactic)

Again, I’ve designed a special mug to commemorate this year’s New York Sheep and Wool Festival. (More on that later, but for a little tease- think woods)

As I spend most of my studio time making all the work for the show, I oft neglect to post here, as it is so easily slipped off of my to-do list. I’m going to try and post a bit more frequently in the next few weeks so you can see some of the great things I’ll have available in my booth! I’m especially fond of these floral bowls I’ve been playing with.

kiln-shot-floral-bowlAs always, if your interested in more of the goings on in the studio, follow me on instagram, as I often take quick photos of my process and post them there.

Please help me bring along the forms and designs you’re most interested in!
Post a comment with your jenniethepotter hopes, I love granting pottery wishes.

 

Freshies

 

Vases waiting for their bisque

Vases waiting for their bisque

One of the surprising benefits of my summer arm injury has been a refocusing of my creative process. It was initially immensely frustrating to cope with being unable to make and carve pots. I had to embrace other ways of creating the pattern and play I so love about making and decorating pots. Now that I can throw again, with almost full capacity, I can take these ideas and transfer them into new pieces.

 

Rice Bowl inside view

Rice Bowl inside view

I would describe my thrown forms as clean, utilitarian and simple. These new pots allow for a bit more texture and surface dimension. The result is less “tight” and has a bit more “flow.” (Darn it is difficult to express thetactile in words) I am enjoying this step into uncharted territory, I hope you all do too!

Rice Bowl outside

Rice Bowl outside

 

 

 

Miss Babs

Knitter's mitten Hamsa

Knitter’s mitten Hamsa

I’ve been hard at work filling orders from this year’s shows and making a few special pieces for a collaboration with Miss Babs. She asked me to design a Hamsa “ornament” to coincide with a mitten pattern kit she was working on. It was fun researching and designing this talisman. I’m quite pleased with the finished design and really enjoyed the process of this project. The final kits look amazing, and are sure to sell quickly. All the Hamsa ornaments I made and the limited edition mugs are available through Miss Babs shop today at 12 Eastern.

Hamsa inspired mitten and mug

Hamsa inspired mitten and mug

Ornaments and Yarn pairings

Ornaments and Yarn pairings

Its been months in the making and today is finally the day the ceramics are available! Here’s a few pictures of the progress of this collaboration as I was working on them in the studio. Those of you who follow me on Instagram may have seen some of these pictures. It’s hard to be excited about something and unable to share it fully, so I may have been a bit obscure.

fresh stack

fresh stack

Hamsa Mug limited edition for Miss Babs ready for glazing

Hamsa Mug limited edition for Miss Babs ready for glazing

Hamsa lineup ready for glazing

Hamsa lineup ready for glazing

Glazed and ready to fire

Glazed and ready to fire

Psst . . . I’ll have a bunch of little gift items available in my etsy shop today at 11 Central too.

Process: carving obsessed

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I’ve been hand carving stamps to speed up my image transfer. It’s one more trick up my sleeve. I’ve always been a big fan of carving, duh look at my pottery, but these stamps are equally addictive to carve. It’s like carving into a rubber eraser. The lino cutting tools are slick and make me feel extra crafty. The end result is SO satisfying. I’m rather pleased with how quickly I can get an idea “to print”. My work is pretty labor intensive, and I really don’t cut corners in many areas of my making. This one I’m sold on. After carving I use a dye based ink to transfer to my leather hard pot. Now it’s ready for the three coats of color I apply, then MORE carving! Lord help me if I ever stumble into a woodblock printer…
Bonus? I also have awesome new stamps for paper stuff too!

Here Fishy Fishy

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When making my event specific pieces I try and use logical sources of inspiration. Typically I look to the environment, the Madrona Fiber Arts piece is no different. When I, a landlocked Midwesterner, think of the Pacific Northwest I think ocean, roaring rivers, soaring mountain vistas and fresh salmon. Logical jump for the yarn-centric potter? Salmon fishing using a yarn ball lure.

Here’s the stamp I carved to speed up the painting process. After doodling my design with a sharpie marker I transfer it to a piece of ez cut linoleum block using pencil. I carve the design away keeping just the lines I need to aid in painting. I stamp the design using a simple stamp pad (it burns away in the first bisque firing). I then have outlines to place my underglazes inside of. This makes the painting go so much faster, and makes the design a bit more uniform. Then comes my favorite part, the carving!

 

View from the studio

I’ve been playing with paper cut outs lately. Here’s a pile of them. I find it nice to play with paper and scissors to work out design ideas. I often tell my students to work out design conundrums with a media they’re familiar with, paper fits that bill nicely. Pots with these designs should be out of the kiln this week. Yippee!!