Indigodragonfly will be helping me keep the shelves full this weekend with her beautiful yarns. We’ve had a few great meeting of the minds before. Button parings and last year’s Troika? Here’s a peek at some of the beauties that will be intermingled with all the pottery goods. Kim’s yarns are really fantastic to knit with and she has some stunning designs too. Pulley, upper right picture, will be available in special Rhinebeck kits. (When I finally got clearance to knit a few weeks ago, its the Chameleon sock that I picked up first!)
I’ve been making pottery for many years now and like anything you’ve spent years doing, I’ve become quite entrenched in my method of making. The character of my pots in large part comes from my way of carving the designs and motifs on my hand thrown pottery.
After my forced rest from clay work this summer I had to reassess my method of making and find ways to reduce the amount of carving I had in my pottery. Immensely frustrating to begin with, eventually I found I could add designs and motifs in different ways to the clay surface. I broke down each motif into smaller elements. I used my carving time to create hand carved lino stamps to impress into the clay surface while freshly thrown. The color on these pots comes from a different layering of underglazes and glazes too. I think the spirit of my work is the same, the result is different.
Building stock for this show was a dance between throwing and carving for a bit and then switching to the new method. I’m quite smitten with making these new pots. It’s brought back some play to the act of making pots. Many of these are coming along to the show, along with many in the traditional method and style I’m known for. I do hope you all like them.
Up to my eyeballs in studio to-dos and writing always gets shoved to the bottom of the list. I’ll be doing my best to remedy this over the next few days. I have lots of things that each merit their own posting, so stand by.
After months of physical therapy and many rounds of treatments my hand has improved. I’m terribly pleased with this to say the least. I’ve been taking videos and photographs of my work progress to share with my hand therapists and they have been able to suggest many modifications to improve my process. Just being able to work again and to hold tools is really a marvelous thing. Huzzah!
The photo is what my hand looks like after carving. The tools I use are made of aluminum and with repeated use the metal transfers onto my hand. I have foam grips and wraps on most of my tools to improve the stress on my joints as I carve, but I still end up with grey hands after a carving session. The work I’ll have at my next show (Rhinebeck!) will be a combination of pots some of the tried and true favorites, some modified methods of design and some work that has a combination of the two.
It’s been an interesting summer here in Potterville. A bike mishap coupled with my normal activities (biking, pottery, weightlifting, knitting etc) has made a masterful stew of inflammation with the oh so glamorous name Intersection Syndrome**. It’s a painful condition, and I’m immobilized with a splint.
Unfortunately this has all sorts of everyday repercussions. Mine is largely a life led one handed. One of the more frustrating challenges has been no wheel work. I have not been actively throwing, trimming or carving for a few months now. This has been quite the challenge. My hand therapists assure me I will be back to work soon, and so I remain positive. Somedays I am more succesful than others.
This has unfortunately affected my fall schedule and I am unable to attend one of my favorite events, The Wisconsin Sheep and Wool Festival early this September. The event organizers have been kind enough to save my spot for 2016, and so I’ll be back next year. This schedule change will help me take some extra time to resume my work s l o w l y. I’m typically a bit of a tornado before a show, and my studio work will be more of a drip than a proper storm when it resumes.
It’s mind numbingly s l o w this soft tissue healing. Most days I look forward to going to bed in the hopes that the following morning I’ll wake up and my hand will feel better. It’s an odd mental shift as I typically relish my first morning thought of, “What can I make today” Instead it has been, “What can I do to safely mark time until I’m better?” There have been some silver linings, mostly more time with the kiddos and some longer than expected vacations. It’s really been mixed and has made me even more aware of how challenging it is for me to be idle.
I have been amassing quite the selection of small bits, buttons, pendants and stitch markers in the studio. I’m in the process of prepping some of these for online sale. The photography has been slow going. Did you know this ENTIRE WORLD seems to be created for right handed folks? (All my SLR buttons and toggles are on the right.) Photo editing is also a hoot with your non dominant hand. Try it. It’s soo fun. (by fun I mean frustrating) We’ve taken to modifying most everything these days. Including my thumbs up.
I’m almost finished with the editing, and the posts will go live on my Etsy shop this Sunday after 12 noon Central. I’m not sending out a email notification for this small bits sale, as there will not be pots. I’ll be announcing it on Twitter, Ravelry and Instagram too!
**For those interested in the pathophisioloigy of Intersection syndrome here’s an excerpt from MedScape
“The condition has long been held to be caused by friction from the overlying extensor pollicis brevis (EPB) and abductor pollicis longus (APL) tendons. Tensile and shearing stresses in the tendons and peritendinous tissues may lead to thickening, adhesions, and cellular proliferation. Subsequent swelling and proliferation of tenosynovium may cause pain, as these tissues are compressed within the unyielding second extensor compartment.”
Every now and again I do something that makes me take my palm to my forehead and do my best Homer Simpson impression, “D’oh!” Why haven’t I done this before? This design is definitely one of those moments. Easily executed, and awfully pretty if I do say so myself, this new birch motif is sure to be on every form I make! They’ve always been amongst my favorite trees, and now I’ll be seeing them in my sleep.
Ps… I’ve been asked a lot lately what my next show is, and it is Wisconsin Sheep and Wool in September. My current studio work is being earmarked for an online update. I’m in the throes of summer revelry with the kiddos, so the date and time haven’t been scheduled yet. So, TBD!
Coming back from Maryland Sheep and Wool is always the unofficial start of Spring around here. I leave Minnesota when its almost Spring, drive to Maryland where it is most definitely Spring and then drive back in time for Minnesota to bust out the blooms. After long cold winters I always want to shout, “Wahoo! Green things!!”
Last year we were fortunate to lease a community garden space a block from our house. We have always grown veggies, but as our trees mature in our yard we have less and less full sun for the plants to soak up. The community garden space is in full sun most of the day, score! We leased a plot again this year and the kids were super getting all the manure tilled into the space.
Our plants this year will include many many tomatoes, peppers, potatoes, broccoli, brussel sprouts, kale, onions, shallots, summer squash, beans, collard greens, cucumbers and lots of herbs. I’ll post pictures of the garden throughout the growing season, it is fun to watch it grow!
It’s late, and I really should be in bed as I’m scheduled to leave Minneapolis at 5 am tomorrow. Both Maryland and Rhinebeck are solid two day drives for me and I need to get an early start to bypass the joy that is Chicago traffic. I always seem to hit a back up of one sort or another, typically its prime time rush hour by the time I get to Chicago. I’m hoping that’s not the case tomorrow. Fingers crossed for a swift drive through.
I wanted to make sure I wrote a brief post about my last minute change of location. I’m still in the main exhibition hall, but I’ll now be at booth D-21. The festival called today to inform me and there’s a chance the information on their end won’t get updated in time for this weekend’s event. So, please take note. I’m in a new location, near a side door, on the right hand wall in the middle of the barn on the north east side of the building, main exhibition hall D-21.
I love a good deadline, so I’ll be opening the last glaze kiln around 4am to let the pots cool enough so I don’t melt my bubble wrap. Fresh hot pots, coming your way. So now off to dream of all the things I’m certain I have forgotton to pack.
Studio time lately has been filled with crabby crustaceans, a Maryland Sheep and Wool requirement. Each year I make a special design and this year I decided to bring back an element from a popular design I did a few years ago for this show.
I love finding these abandoned type pieces at thrift stores and architectural salvage shops. Text isn’t a common element in my work, but I do like shaking things up a bit every now and again. I’m incorporating some other different techniques in this year’s design too. Stay tuned.
California Dreaming . . .
It’s been head down, all hands on deck time in the studio as we prepare for the trip to Stitches West in Santa Clara, CA. I’m bringing LOTS of pots, stitch markers, ornaments and buttons. (Oh! SO many buttons! Bring your swatches and yarn samples along to the market )
I’ll be in booths 933, 935 & 937.
Here’s a few studio shots to whet your whistle. I have one more kiln to flip before I depart on Tuesday morning. The last kiln gets to accompany me on the plane. (Delta please be kind) As the temperature here in Minneapolis has been pretty arctic lately I’m very much looking forward to the warmer weather out West!
I’ve been hard at work filling orders from this year’s shows and making a few special pieces for a collaboration with Miss Babs. She asked me to design a Hamsa “ornament” to coincide with a mitten pattern kit she was working on. It was fun researching and designing this talisman. I’m quite pleased with the finished design and really enjoyed the process of this project. The final kits look amazing, and are sure to sell quickly. All the Hamsa ornaments I made and the limited edition mugs are available through Miss Babs shop today at 12 Eastern.
Its been months in the making and today is finally the day the ceramics are available! Here’s a few pictures of the progress of this collaboration as I was working on them in the studio. Those of you who follow me on Instagram may have seen some of these pictures. It’s hard to be excited about something and unable to share it fully, so I may have been a bit obscure.
Psst . . . I’ll have a bunch of little gift items available in my etsy shop today at 11 Central too.